Lot No: 2949
Estimate(RMB): 1,800,000-2,800,000
Price Realized(RMB):3,047,500(Including commission)
說明:這是一首莫扎特生前從未發(fā)表過的賦格曲原稿!
一首31小節(jié)的三聲部賦格曲,后被權(quán)威《莫扎特全集》收錄,并編號為K. zu 506a。
作品作于維也納巔峰時期的1785年,作于學(xué)生阿特伍德賦格作業(yè)的背面,右下為阿特伍德親跋。
背面中也有莫扎特的批改:暗棕色墨水三聲部賦格(《莫扎特全集》中也稱《卡農(nóng)曲》)為阿特伍德所作,由莫扎特在平行五度和八度處以淺色墨水進(jìn)行修正,接著阿特伍德又添加了四小節(jié)看似無關(guān)的音樂。
同樣類型的練習(xí)稿可見大英圖書館阿特伍德文獻(xiàn),于紙張、于書寫均為同出一源。
據(jù)題跋,該曲為莫扎特為阿特伍德示范時所作,之后將此贈送給英國小提琴家、劍橋大學(xué)音樂教授海牙先生。阿特伍德為英國著名作曲家、管風(fēng)琴家,1783年得英國威爾士王子贊助出國深造,成為莫扎特的學(xué)生。阿特伍德在他的著作以及日記中記錄了他在音樂理論和莫扎特作曲方面的研究。在對阿特伍德研究過程中發(fā)現(xiàn),莫扎特是對位教學(xué)史上最引人注目的篇章之一,這些研究與阿特伍德的和諧運(yùn)動(治療音階、三和弦、提花低音)和自由組合練習(xí)(包括四部分小步舞、慢動作和隆多動作、聲樂和管弦樂運(yùn)動)一起進(jìn)行的。
值得注意的是,這篇手稿是莫扎特于維也納時期所創(chuàng)作的,也是其聲望的巔峰時期。這一時期的莫扎特靈感源源不斷,創(chuàng)作出了一系列經(jīng)久傳世之作:次年《費(fèi)加羅的婚禮》問世;再次年,歌劇《唐·喬萬尼》橫空出世,一大批形成莫扎特風(fēng)格的弦樂四重奏在此間誕生;藝術(shù)與人文在莫扎特手中完美相融。
WOLFGANG AMADEUS MOZART AUTOGRAPH MUSIC MANUSCRIPT FOR FUGUE IN C MINOR, 506a
Two pages (with certificate)
Dated 1785
Illustrated: Neue-Mozar-Ausgabe, vol. 10, 30-1: p. 152, 30-2: pp. 12-13, 33-2: p. 35, Breitkopf & H rtel, 1965-1969
27×21.5cm
RMB: 1,800,000-2,800,000
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