659
紙本 木刻版畫
1978-1980年作
簽名：16/50《阿Q正傳》六十圖，趙延年作（60次）
鈐?。貉幽辏ㄖ欤?0次）
版數(shù)：16/50
出版：
1.《阿Q正傳》，上海人民美術(shù)出版社，1980年。
2.《連環(huán)畫報1981-2》，1981年。
3.《阿Q正傳趙延年木刻插畫本》，人民文學出版社，2002年。
4.《畫說魯迅-趙延年魯迅作品木刻集》，福建教育出版社，2002年。
5.《阿Q正傳》，人民美術(shù)出版社，2010年。
6.《趙延年捐贈作品集》，中國美術(shù)學院出版社，2010年。
說明：1.本拍品木刻原版已由中國美術(shù)館永久收藏。
2.本拍品曾獲全國第二屆連環(huán)畫創(chuàng)作評獎二等獎。
ZHAO YANNIAN (b. 1924) ORIGINAL WORK OF THE ILLUSTRATIONS OF A STORY OF A-Q (COMPLETE)
Woodcut on paper
Dated 1978-1980
Description: Signed with sixty red seals of the artist
Edition: 16/50
Illustrated:
1. A Story of A-Q, Shanghai People's Fine Arts Publishing House, 1980
2. Pictorial of Comic Book Strip 1981-2, 1981
3. Wood Engraving of the Illustrated A Story of A-Q, People's Literature Publishing House, 2002
4. Woods Engraving of Illustrated Works of Lu Xun by Zhao Yannian, Fujian Educational Publishing House, 2002
5. A Story of A-Q, People's Fine Arts Publishing House, 2010
6. Donated Works of Zhao Yannian, China Academy of Fine Arts Publishing House, 2010
Note: 1. The original wood engraving work is collected by the National Art Museum of China for ever.
2. The lot was awarded with the Second Prize of the National Comic Book Strip Contest.
25.5×17cm（60幀）
RMB: 800,000-1,200,000
趙延年 1924年生于浙江湖州。1938年考進上海美術(shù)專科學校高級藝術(shù)科。1939年與同學共組“鐵流漫畫木刻研究會”開始學刻木刻版畫。1949-1951年在上海華東畫報社任美術(shù)編輯； 1952-1953年在上海人民美術(shù)出版社任創(chuàng)作組副組長；1954-1956年在華東美術(shù)家協(xié)會、上海美術(shù)家協(xié)會任專職畫家；1957年調(diào)入浙江美術(shù)學院（現(xiàn)為中國美術(shù)學院）版畫系。歷任中國美協(xié)理事、中國版畫家協(xié)會顧問、浙江省美協(xié)顧問、浙江省版畫家協(xié)會名譽會長、浙江省文史研究館名譽館員、杭州市美術(shù)家協(xié)會主席、中國美術(shù)學院教授等職。1991年獲中國美術(shù)家協(xié)會、中國版畫家協(xié)會聯(lián)合頒發(fā)“中國新興版畫杰出貢獻獎”。1992年獲國務(wù)院頒發(fā)“文化藝術(shù)事業(yè)突出貢獻表彰證書及政府特殊津貼”。2002年獲浙江省文聯(lián)頒發(fā)“浙江省有突出貢獻老文藝家榮譽證書及金質(zhì)獎?wù)隆薄?009年獲中華人民共和國文化部、中國文學藝術(shù)界聯(lián)合會、中國美術(shù)家協(xié)會聯(lián)合頒發(fā)首屆“中國美術(shù)獎·終身成就獎”。2010年獲中國文學藝術(shù)界聯(lián)合會頒發(fā)“第九屆造型表演藝術(shù)成就獎”。
Zhao Yannian was born in Huzhou in 1924, Zhejiang Province. In 1938, he entered Shanghai Fine Arts Training Institute, where he studied both Western and Chinese art. In 1950, he began to teach at the Huadong East China branch of the Central Academy of Fine Arts in Hangzhou. He lost his post during the Cultural Revolution and resumed his teaching duties in 1972. His innovative use of cutting and printing techniques has influenced several generations of printmakers in China. Zhao is currently a professor of Central Academy of Fine Arts, a member of the council of the Chinese Artists Association, advisor to the Chinese Transfer Makers Association and honorary director of the Zhejiang Transfer Makers Association. In 2010, Zhao was awarded with the 9th Award of Performance Art by China Federation of Literary and Art Circle.
